Karel Dujardin

1621-1678 Dutch Karel Dujardin Locations Dujardin was born in Amsterdam in 1640. After training with Nicolaes Berchem, he went to Italy when young, and became a member of the Society of Painters at Rome, among whom, he was known as Barba di Becco. In Rome, his works met with general approbation. According to some sources, on his way back to his native country, he contracted considerable debts at Lyon, to free himself from which, he married his old and rich landlady. He went with her to Amsterdam, where his pictures were valued very highly. He soon secretly left his home in that city, probably from dislike of his wife, and went back to Rome in 1675, where he was welcomed by his old friends and admirers, and lived at great expense. After a vist to Tangier he went to Venice, where he died in 1678. Most of his paintings are cabinet paintings of Italianate landscapes and or with farm animals and peasants. His landscapes have spirit and harmony, his figures expression, and his colour the brilliancy which distinguishes his school. His paintings are rare and command a high price. He also published fifty-two etchings of simiar subjects, with great spirit and ease. He painted a single, fine, portrait (probably a self-portrait), and a pair of Baroque religious paintings on the life of St Paul, probably commissioned, as they lie well outside his normal style. One of these, and the portrait, are in the National Gallery, London


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Karel Dujardin Southern landscape with young shepherd and dog oil


Southern landscape with young shepherd and dog
Painting ID::  81004
Southern landscape with young shepherd and dog
Date x 1660-1665 (1641-1678) Medium Oil on panel Dimensions 31.2 x 37.6 cm (12.3 x 14.8 in) cyf
   
   
     

Karel Dujardin Southern landscape with young shepherd and dog oil


Southern landscape with young shepherd and dog
Painting ID::  81423
Southern landscape with young shepherd and dog
Date ca. 1660-1665 (1641-1678) Medium Oil on panel cyf
   
   
     

Karel Dujardin Italian Landscape with Herdsman and a Piebald Horse oil


Italian Landscape with Herdsman and a Piebald Horse
Painting ID::  85568
Italian Landscape with Herdsman and a Piebald Horse
Date c. 1675(1675) Medium Oil on wood Dimensions Height: 32 cm (12.6 in). Width: 27 cm (10.6 in). cjr
   
   
     

Karel Dujardin Allegory oil


Allegory
Painting ID::  86598
Allegory
1663(1663) Medium Oil on canvas cyf
1663(1663) _ Medium_Oil_on_canvas _ cyf
   
   
     

Karel Dujardin Italian Landscape with Herdsman and a Piebald Horse oil


Italian Landscape with Herdsman and a Piebald Horse
Painting ID::  89654
Italian Landscape with Herdsman and a Piebald Horse
1675(1675) Medium oil on panel cyf
1675(1675) _ Medium_oil_on_panel _ cyf
   
   
     

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     Karel Dujardin
     1621-1678 Dutch Karel Dujardin Locations Dujardin was born in Amsterdam in 1640. After training with Nicolaes Berchem, he went to Italy when young, and became a member of the Society of Painters at Rome, among whom, he was known as Barba di Becco. In Rome, his works met with general approbation. According to some sources, on his way back to his native country, he contracted considerable debts at Lyon, to free himself from which, he married his old and rich landlady. He went with her to Amsterdam, where his pictures were valued very highly. He soon secretly left his home in that city, probably from dislike of his wife, and went back to Rome in 1675, where he was welcomed by his old friends and admirers, and lived at great expense. After a vist to Tangier he went to Venice, where he died in 1678. Most of his paintings are cabinet paintings of Italianate landscapes and or with farm animals and peasants. His landscapes have spirit and harmony, his figures expression, and his colour the brilliancy which distinguishes his school. His paintings are rare and command a high price. He also published fifty-two etchings of simiar subjects, with great spirit and ease. He painted a single, fine, portrait (probably a self-portrait), and a pair of Baroque religious paintings on the life of St Paul, probably commissioned, as they lie well outside his normal style. One of these, and the portrait, are in the National Gallery, London

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